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The David Cronenberg classic follows TV producer, Max Renn ( James Woods), for the shlock Toronto network and his girlfriend and media personality, Nicki Brand ( Deborah Harry), as they discover an alleged snuff film program called Videodrome. This film represents the fear that as women try to take their rights, they will be reduced to their expected roles, forcefully if need be. These values – piety, purity, submission, and domesticity – are reflected in the behaviors of the Stepford androids. The “Cult of Domesticity” is at times referred to as the “Cult of True Womanhood”, pertaining to certain values and gender roles women are expected to adhere to within a patriarchal society. Based on Ira Levin’s 1972 novel of the same name, The Stepford Wives provided commentary on the rise of the Women’s Liberation Movement and the “Cult of Domesticity” in the United States. Negligent husbands replace their wives with subservient androids when they become too independent-minded, allowing them to keep the “perfect” housewife.
Unlike the campy 2004 horror-comedy remake following Nicole Kidman and Bette Midler, the original Stepford Wives (1975) uncovers the horrors of suburbia that are hidden by supposed perfection in a truly harrowing and hopeless film.
RELATED: Sex, Drugs, and Driller Killers: The History of Video Nasties These are ten films that trace the development of techno-horror and their commentary since the genre started rising to popularity in the 1960s. Although some core themes are shared across many techno-horrors, the commentary presented in each film is often reflective of the time the film is made in. What is new is often treated as terrifying – with technology, there is seemingly always something new to fear.
Sometimes techno-horror takes these moral panics and turns them into a thing of genuine terror using possession, ghosts, stalkers, demons, and more. As technology has developed through time, it’s become a source of scapegoating and moral panics. Upon digging a little deeper, however, it becomes clear that these films also tend to provide commentary on the role of technology within society. On the surface, a typical techno-horror will follow possessed machinery or devices being misused with malicious intent. Techno-horror is a subgenre of horror that overlaps heavily with science fiction.